The partnership is a tipping point for luxury fashion, which has had a history of racism and appropriation.
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Both Baldwin’s and Jenkins’ work shine a light on the simplicities and joys and fears of being a person who is black and who is alive in America.
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Heavy is the head that wears the crown, and Kerby Jean-Raymond wears his crown well.
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“My goal was always to capture the beauty of black women, to restore black pride and the spirit of black women.”
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Beyoncé’s and Rihanna’s Vogue covers reminded me of the 18th-century black women who rebelled against the assault on their beauty in colonial Louisiana.
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Grace Wales Bonner pulls from many, varied sources when creating, but her references never corrupt her vision. Nor do her clothes ever bastardize their inspirations.
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